American Writers, Supplement XVIII by Jay Parini

By Jay Parini

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New York: G. P. Putnam, 1915. Shamir, Milette. Inexpressible Privacy: The Interior Life of Antebellum American Literature. Philadelphia: University of Pennsylvania Press, 2006. Taylor, Joshua. William Page, the American Titian. Chicago: University of Chicago Press, 1957. CRITICAL AND BIOGRAPHICAL STUDIES Tilton, Theodore. Sanctum Sanctorum; or, Proof-sheets from an Editor’s Table. New York: Sheldon, 1870. Browner, Stephanie P. ” PMLA 116, no. 2:397–415 (March 2001). Derby, J. C. Fifty Years Among Authors, Editors, and Publishers.

Pennebaker, documenting the commotion of Dylan’s abrupt and enormous fame in what would become Dont Look Back (1967) and Eat the Document (1972). Pennebaker’s dominant venture in the first of these documentaries was to reveal the contrasts and narrate the tensions between an uptight, aging establishment (largely represented by members of the press) and a hip, enthusiastic, liberated younger generation. In the second film, however, the same youthful crowds discover their own capacity for cantankerousness as they criticize and indeed boo Dylan’s new, loud, plugged-in performances.

Memories of a Publisher, 1865– 1915. New York: G. P. Putnam, 1915. Shamir, Milette. Inexpressible Privacy: The Interior Life of Antebellum American Literature. Philadelphia: University of Pennsylvania Press, 2006. Taylor, Joshua. William Page, the American Titian. Chicago: University of Chicago Press, 1957. CRITICAL AND BIOGRAPHICAL STUDIES Tilton, Theodore. Sanctum Sanctorum; or, Proof-sheets from an Editor’s Table. New York: Sheldon, 1870. Browner, Stephanie P. ” PMLA 116, no. 2:397–415 (March 2001).

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