American Writers, Supplement XV by Leonard Unger, Jay Parini

By Leonard Unger, Jay Parini

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Instead of fairly even lines of verse organized more or less into neat stanzas, or single columns of text, Bidart’s poems stagger and bound across the page. Lines of greatly varying length and spacing may end abruptly, giving way to unlineated prose that creates a stark visual and tonal contrast to the lines of verse. By his third book, he was making use of the full range of expression allowed by this prosody: a line might begin flush with the left margin or in the middle of a page; phrases and single words, even whole lines might appear in all capital letters, or in italics, or in italicized capitals; a dash might follow a comma or precede a semicolon.

Husbands and Wives. Columbia-TriStar, 1992. Shadows and Fog. Orion Pictures, 1992. Manhattan Murder Mystery. Columbia-TriStar, 1993. Bullets over Broadway. Sweetland/Miramax, 1994. Mighty Aphrodite. Sweetland/Miramax, 1995. Everyone Says I Love You. Sweetland/Miramax, 1996. Deconstructing Harry. Sweetland/Fine Line, 1997. Celebrity. Sweetland/Miramax, 1998. Sweet and Lowdown. Columbia-TriStar, 1999. Small Time Crooks. DreamWorks, 2000. The Curse of the Jade Scorpion. DreamWorks, 2001. Sounds from a Town I Love.

Jacobs, Diane. But We Need the Eggs: The Magic of Woody Allen. New York: St. Martin’s Press, 1982. Kael, Pauline. Reeling. Boston: Little, Brown, 1976. Kael, Pauline. ” New Yorker, October 27, 1980, pp. 183–190. Kakutani, Michiko. ” New 18 / AMERICAN WRITERS York Times, July 18, 1983, p. 13. Lax, Eric. Woody Allen: A Biography. New York: Knopf, 1991. Meade, Marion. The Unruly Life of Woody Allen. New York: Scribners, 2000. Rich, Frank. ” Time, April 30, 1979, pp. 68–69. Sarris, Andrew. ” Village Voice, April 30, 1979, p.

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